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CONCERTS

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Baxevanis Amita motion OAKA
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Anna Vissi USA

ARENA VENUES

Front of House engineering for arenas and outdoor stadiums, focusing on the delicate balance between technical precision and artistic expression. Beyond managing complex signal chains and high-pressure environments with numerous audio channels, my role is to faithfully translate the performer’s vision into a cohesive and emotionally engaging sonic experience. By employing a composed and analytical methodology, I strive to ensure that even in the most demanding settings, the aesthetic integrity of the performance remains the absolute priority. This work is carried out as a proud member of a world-renowned production team, meeting global standards of excellence and technical rigor.

CLUBS

Specializing in Front of House engineering for club environments, where high-energy sound reinforcement must coexist with acoustic clarity. My approach is defined by the flexibility to adapt to the challenging and often unpredictable constraints of smaller venues. By applying an analytical perspective to complex acoustics, I strive to overcome environmental limitations without compromise, remaining persistent in achieving the optimal sonic result. This dedication ensures that the artistic integrity of the performance is fully preserved, regardless of the venue's technical difficulties.

Hotel Ermou 2025
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Athens Olympic Velodrome
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Hotel ermou 2020
Anna Vissi Odeon of Herodes Atticus
baxevanis Odeon of Herodes Atticus
baxevanis Odeon of Herodes Atticus

THEATER

Providing sound design and Front of House engineering for theatrical venues, where the priority is the seamless integration of natural acoustics and reinforced sound. Beyond live mixing, I specialize in complex multitrack recording, managing numerous audio channels to capture the full dynamic range of a performance with archival precision. My methodology focuses on maintaining the clarity of the spoken word and the nuances of the musical score, even under demanding technical conditions. By applying an analytical approach to signal flow and spatial balance, I strive to deliver a high-fidelity result that preserves the artistic essence of the production for both the live audience and future media.

TV SHOWS

Specializing in audio management for television productions, where absolute fidelity and real-time reliability are critical. My role focuses on maintaining the highest standards of sound reproduction, ensuring that every individual audio channel is meticulously monitored and optimized. By employing a rigorous analytical approach to problem-solving, I strive to identify and resolve complex signal issues instantaneously, preventing any compromise in broadcast quality. This commitment to technical precision and sonic accuracy ensures a flawless transition from the stage to the audience's screens, preserving the professional integrity of high-stakes media productions.

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